Iconographic Elements of the Western Genre


1.            setting


            a.         Modes of transportation:  the stagecoach itself as an emblem of progress, expansion

            b.         towns:  their presentation, functions, characteristics

            c.         Indians


2.         the frontier as a meeting of old and new sets off a resulting series of oppositions


                        East                        West


                        culture                        nature

                        past                        future


                        community                        individuality

                        law                        practicality


                        "refinement"                        "savagery"


3.         the hero:  his/her acts validate possibilities the frontier stands for


            a.            characteristics and functions:  his/her image; relation to society

            b.            evolution of the notion of heroism


4.         the law:  codes (civil; criminal; moral)


            a.            representatives

            b.            values underlying the law


5.            society


            a.            "types" in Ford films (as opposed to "stereotypes")

            b.            social arenas:  what defines them; functions

            c.            social rituals and the community:  means of emphasis and significance in Ford's essentially rational view of society