Sklar, 18 and 19
18. Personal Film
Can feature filmmaking commodify personal film strategies?
1. individual production as a mode
2. avant garde: Deren; Brakhage; Warhol
1. Why does Sklar view
the 70s as a return to a more golden age for
2. Why is it logical that directors would attain so much importance in a contemporary industry?
3. What was the change in distribution patterns at this time? Why did the system sustain major “auteurs”?